In a recent interview, I spoke with Dr. Jeffrey Jackson—Professor of History at Rhodes College and author of Paper Bullets: Two Artists Who Risked Their Lives to Defy the Nazis. In this interview. Dr. Jackson discusses the untold story of Lucy Schwob and Suzanne Malherbe, a French lesbian couple who intervened in the Nazi occupation of the Channel Islands through an expansive artistic campaign during World War II. Better known to art historians by their adopted names of Claude Cahun and Marcel Moore, Schwob and Malherbe’s story of resistance is told for the first time in Dr. Jackson’s new book. Here he shares a first look at their incredible story with Facing History.

“We are responsible for our own ignorance or, with time and openhearted enlightenment, our own wisdom.” —Isabel Wilkerson, Caste: The Origins of Our Discontents

In this increasingly globalized world, we can learn a lot from each other. That's why in July, Facing History facilitated a weeklong Advanced International Seminar hosted by North Shore Country Day School. Teachers from Northern Ireland, South Africa, England, Mexico, France, and the United States gathered in Winnetka, Illinois to discuss the issues and challenges educators struggle with and to exchange best practices. 

Karen Murphy, Facing History's international director, recently shared her experience on the Global Learning blog, hosted by Education Week and the Asia Society. Read about the eight lessons she learned from facilitating the Advanced International Seminar.

Sadly, the Brussels bombings show us that humanity is deeply fractured. Although many of us want to join together and bind wounds, we must also acknowledge that something is very wrong.

What is our responsibility to refugees fleeing from war and genocide?

On September 3, the BBC's Inside Europe Blog published images of police officers in the Czech Republic writing on the hands of detained migrants as a way to identify them. In the post, reporter Rob Cameron observed that the images “are an uncomfortable reminder of a different event and a different era. But the Czech authorities appeared totally unaware of the unfortunate visual connotations with the Holocaust, when prisoners at Auschwitz were systematically tattooed with serial numbers.”